Last one.

https://www.instagram.com/reel/DbFDCg3zu4w/?igsh=YWxqaXJhc2kzczNx

Well now I just feel like I’m spamming you.

You been ok?

Good. Missed connecting with you to be honest.

Mmm I don’t want to scare you.

I did 10 tabs of LSD 😆

I take antidepressants etc. so it takes a lot to work. And it still isn’t that intense.

Does that bother you?

Tell me more.

I’m not a druggie. What’s been going on with you? You’ve been quiet.

Would you like to stop talking?

I’ve been going to counseling and a psychiatrist for 25 years. They all know including my doctor and none have had an issue with it.

I’m very big on mental health. My oldest daughter has ADHD and I believe my youngest daughter is on the spectrum and I think I am as well. I used to work for UThealth for the president and the diviner on early childhood grants including diagnosing autism etc. I’m also on the waitlist for Texas’ first psychedelic clinical trial.

And fun fact, Michael Dell from Dell computers and I went to the same high school and had the same computer science teacher.

Share yourself with me.

That’s not a line. 😆 Tell me about yourself. What are you looking for? Any questions for me?

Nice. Would you like to get on a call tomorrow.

Maybe another time. You are a busy girl.

I’ve been thinking a lot about what I want if I ever commit to a full tattoo project, and I think it’s finally starting to come together. The more I think about it, the less I want a bunch of individual tattoos and the more I want one connected piece of art that tells a story across my body.

The project would start on my left pectoral with the head of a massive direwolf that naturally transitions into a full sleeve. I don’t want the wolf to look aggressive or angry. I want it to feel calm, confident, and ancient. More like a guardian than a predator. Something powerful enough that it doesn’t need to prove it.

The sleeve would revolve around a woman inspired by Lady Justice. She’d be blindfolded, not because she’s helpless, but because she represents conviction, trust, discipline, and devotion. Instead of traditional robes or armor, she’d wear a simple leather collar with a chain disappearing naturally into the composition. It wouldn’t be the focus. It would just be one part of the story.

Watching over the scene would be a raven, representing wisdom, intelligence, mystery, and observation. Woven throughout the artwork would be subtle rope and knotwork inspired by shibari, hidden naturally within the design so they look like part of the artwork instead of obvious symbols. I also like the idea of weathered chains or old iron hardware appearing here and there, but only where they serve the composition rather than feeling like random objects.

Eventually everything would continue into a full back piece. I’m imagining an ancient old-growth forest with towering pines, dense fog, moonlight filtering through the trees, roots twisting over massive stones, and forgotten ruins that nature has slowly reclaimed. I want it to feel timeless, almost sacred, like a place that has existed forever.

Originally I thought about another direwolf on the back, but I think I’ve changed my mind. I love the idea of a massive mature bull elk standing silently in a clearing with enormous antlers while the direwolf is almost hidden among the trees, quietly watching over the forest. The wolf represents protection, strength, loyalty, and leadership. The elk represents nobility, patience, resilience, and quiet confidence. Neither one is dominating the other. They simply exist together in the same ancient world.

The more I think about it, the more I want every major piece to represent an archetype instead of just looking cool.

The direwolf is the guardian.

The woman is conviction, discipline, trust, and devotion.

The raven is wisdom and observation.

The elk is nobility, patience, and calm power.

The forest is permanence, mystery, growth, and the unknown.

The ruins represent legacy and endurance.

The rope, chain, and knotwork become symbols of commitment, responsibility, connection, and restraint instead of simply objects.

What I love most is the idea that someone could see it and simply think it’s a beautiful piece of art. Then, the longer they looked, the more they’d discover. A hidden knot. A chain disappearing into shadow. The raven tucked into the trees. The wolf you didn’t notice at first. Every time you looked, you’d find another layer.

I don’t want it to feel like fantasy just for the sake of fantasy, and I don’t want it to feel overtly symbolic either. I want it to feel like dark mythology. Like an ancient story carved into skin where every element has a purpose, even if only I know the entire story.

I don’t want a sleeve, a chest piece, and a back piece.

I want an entire world that happens to be painted across my body.

Sounds like it going to be difficult for you to pencil me in.

I’ve been thinking a lot about what I want if I ever commit to a full tattoo project, and I think it’s finally starting to come together. The more I think about it, the less I want a bunch of individual tattoos and the more I want one connected piece of art that tells a story across my body.

The project would start on my left pectoral with the head of a massive direwolf that naturally transitions into a full sleeve. I don’t want the wolf to look aggressive or angry. I want it to feel calm, confident, and ancient. More like a guardian than a predator. Something powerful enough that it doesn’t need to prove it.

The sleeve would revolve around a woman inspired by Lady Justice. She’d be blindfolded, not because she’s helpless, but because she represents conviction, trust, discipline, and devotion. Instead of traditional robes or armor, she’d wear a simple leather collar with a chain disappearing naturally into the composition. It wouldn’t be the focus. It would just be one part of the story.

Watching over the scene would be a raven, representing wisdom, intelligence, mystery, and observation. Woven throughout the artwork would be subtle rope and knotwork inspired by shibari, hidden naturally within the design so they look like part of the artwork instead of obvious symbols. I also like the idea of weathered chains or old iron hardware appearing here and there, but only where they serve the composition rather than feeling like random objects.

Eventually everything would continue into a full back piece. I’m imagining an ancient old-growth forest with towering pines, dense fog, moonlight filtering through the trees, roots twisting over massive stones, and forgotten ruins that nature has slowly reclaimed. I want it to feel timeless, almost sacred, like a place that has existed forever.

Originally I thought about another direwolf on the back, but I think I’ve changed my mind. I love the idea of a massive mature bull elk standing silently in a clearing with enormous antlers while the direwolf is almost hidden among the trees, quietly watching over the forest. The wolf represents protection, strength, loyalty, and leadership. The elk represents nobility, patience, resilience, and quiet confidence. Neither one is dominating the other. They simply exist together in the same ancient world.

The more I think about it, the more I want every major piece to represent an archetype instead of just looking cool.

The direwolf is the guardian.

The woman is conviction, discipline, trust, and devotion.

The raven is wisdom and observation.

The elk is nobility, patience, and calm power.

The forest is permanence, mystery, growth, and the unknown.

The ruins represent legacy and endurance.

The rope, chain, and knotwork become symbols of commitment, responsibility, connection, and restraint instead of simply objects.

What I love most is the idea that someone could see it and simply think it’s a beautiful piece of art. Then, the longer they looked, the more they’d discover. A hidden knot. A chain disappearing into shadow. The raven tucked into the trees. The wolf you didn’t notice at first. Every time you looked, you’d find another layer.

I don’t want it to feel like fantasy just for the sake of fantasy, and I don’t want it to feel overtly symbolic either. I want it to feel like dark mythology. Like an ancient story carved into skin where every element has a purpose, even if only I know the entire story.

I don’t want a sleeve, a chest piece, and a back piece.

I want an entire world that happens to be painted across my body.

These are the tattoo artists I’m planning to study the most. I think they’re some of the best in the world for the style I’m going for.

Carlos Torres
https://www.instagram.com/carlostorresart/

Fábio Guerreiro (Houston)
https://www.instagram.com/fabio_guerreiro_tattoo/

Etgar Oak (Austin)
https://www.instagram.com/etgaroak/

Stefano Alcantara
https://www.instagram.com/stefanoalcantara/

Nikko Hurtado
https://www.instagram.com/nikkohurtado/

Jose Lopez
https://www.instagram.com/joselopez_lowridertattoo/

Hiram Casas
https://www.instagram.com/hiramksas?igsh=MzRlODBiNWFlZA==

If you have some time, I’d love for each of you to scroll through their work and tell me which artist speaks to you the most and why. Don’t focus on the individual tattoos. Pay attention to the mood, composition, lighting, storytelling, and how each artist makes you feel. I’m much more interested in creating one cohesive work of art than collecting individual tattoos, so I’d love to hear what stands out to you.

I don’t have any tattoos right now because it’ll probably be $25,000-$50,000. Carlos is my current favorite. I feel like Hiram’s work looks better, visually almost perfect but Carlos is work has movement. When I look at Hiram’s work. I see a beautiful tattoo of a woman when I look at Carlos’s work I see a story, a world I’m drawn into.

You never responded to this.

Let me know.

Howdy

I am open to it.

Couldn’t hear me?

I could hear you.

Straight girls with small tiddies?

It’s legit. I do like their shoes. 👟 🤔 😂

Should’ve hired me.

Sound warning: ⚠️ Loud Bass ⚠️

I used to have to let the guy in this picture win at games when I was in my 20s, so he didn’t throw a hissy fit. He was probably around 3. Now he is a drag performer. He’s my ex wife’s half brother. 😆

Sydney is my oldest daughter (16)

Try them all lol. But GOMD first

You don’t have to like it. 😂

How do you feel about me? Is the spam getting to you?

So you want to keep talking?

A little or a lot?

I’m going to need more of your time.

You got quiet.

😏